Medium Of Defamation In The Cyberspace Media Essay

Medium Of Defamation In The Cyberspace Media Essay Defamation is potentially one of the largest areas of law which will be affected by the internet revolution as it deals, quite simply, with communication between people  [1]  . The internet provides a new means to facilitate this communication and so is an ideal forum for free speech, a practice which can often lead to vituperative and contumelious language  [2]  . A communication is defamatory if it tends so to harm the reputation of another as to lower him in the estimation of the community or to deter third persons from associating or dealing with him.  [3]   With the aim to injure the reputation of the victim and in particular to cause him (or her) to be regarded with feelings of hatred, contempt, ridicule, fear, dislike or disesteem is part of the objective of the defamation  [4]  . The defamer or the defendant can be taken into custody for his/her action if the plaintiff thinks that the information given in the cyberspace is false, inappropriate and resulting lowering down the plaintiff reputation. Depending on different countries and regions, the punishment for defamation in the cyberspace is varies due to its law. Some country for example Brunei can take 5 years prisons for the punishment. It is not only the author or originator of a defamatory statement that may be liable for the publication of that statement; rather, defamation law ensures that anyone who plays a significant role in the act of republication or redistribution of defamatory message will be held responsible for that message  [5]  . This objective of this paper is to determine jurisdiction on the regional cases of defamation in Brunei and Malaysia. Other than that, this paper also explains medium of defamation in the cyberspace, the effects of the defamation to the victim, the punishment to the defamer and the court action with the case. BRUNEI AND MALAYSIA DEFAMATION LAW Both Brunei and Malaysia defamation law are based on the English Common Law  [6]  . MALAYSIA DEFAMATION LAW Malaysia Defamation Act are the Malaysian Defamation Act 1957 for civil cases and the Penal Code of Malaysia Section 499 Section 503 for criminal cases  [7]  . This law does not define defamation. It recognized two forms of defamation only that is libel and slander. There are distinct differences of these two forms of defamation. The difference lies in the means or medium by which the defamatory material is communicated. It used to be a fundamental distinction that between a written or printed word which is concludes as libel and spoken words which are considered as slander. Both libel and slander are civil and criminal offences. Thus, a person who is guilty of libel or slander may be sued in court, and also face jail sentence. In civil cases, the person so defamed will normally sue the maker of the defamatory words for compensation. The amount of the compensation depends on the damage caused to the reputation of the person suing. In criminal cases, the punishment for defamation is a jail sentence for a maximum of two years, or a fine, or a combination of a jail sentence and a fine [Section 500-502 Penal Code]. But, nowadays the general view of libel is whether the publication is in a permanent form, in other forms it is a slander. Defamation in a permanent forms and is usually visible to the eye, such as items in writing, email, pictures, statutes or effigies. Section 3 of the Defamation Act 1957 stated that broadcasting of words by means of radio communication shall be treated as communication in a permanent form. BRUNEI DEFAMATION LAW The Defamation Act of Brunei Darussalam, which was revised in 2000, punishes libel or slander by means of broadcasting, telecommunication or publication by newspaper.  [8]  Like Malaysia, the laws also governing both libel and slander are identical. Bloggers should also be aware that under the Brunei Defamation Act, a blog post for the purpose of the law of libel and slander, may be considered the equivalent to broadcasting of words by means of telecommunication and as such will be treated as publication. Even though the defamatory content on the Internet can be deleted, there is a possibility that the post can be recovered through a cache, and thus can be admitted into evidence  [9]  . Though there has not been any major case of litigation concerning blogs and bloggers in Brunei, the neighboring countries of Malaysia and Singapore have had cases which have resulted in imprisonment for comments made by bloggers  [10]  . Under Section 500 of Bruneis Penal Code, whoever defames another can be imprisoned for a term of up to 5 years and a fine  [11]  . MEDIUM OF DEFAMATION IN THE CYBERSPACE Based on Lilian Edwards study, she define that there are at least four distinct sites where defamation may occur in the cyberspace that can usefully be separated out, as to some extent they raise distinct problems  [12]  . One to one email messages Compared to the traditional written mail (via postal), transmission of email is virtually instantaneous and usually, once sent, is irrevocable. As a result, email correspondence is often in substance more like spoken conversation than written interaction  [13]  . Interaction and communication between two are becoming no limitless which can turn out to be legally actionable. Mailing List The format of an electronic mailing list is that various parties subscribe by email to the list, which is administered by some central host. The subject of discussion of the list may be anything from Internet law to real ale to homosexual fantasies. Usually the list is set up so that, by default, any email message sent by any one subscriber to the list is bounced or exploded out to every other subscriber. Carelessness can lead to the user think they reply only to the maker but actually the user sends their reply to the every member in the list. The embarrassment factor can be considerable, particularly where the members of the list form a small professional community within which the professional reputation of the person defamed can be severely damaged  [14]  . Newsgroup Newsgroups are discussion forum which are made up of comments from their subscribers, sorted by subject matter. All it takes is to subscribe and post comments to the newsgroup  [15]  . Collectively, the newsgroups available to Internet users are sometimes known as the Usenet  [16]  . There are something like 14,000 Usenet newsgroups subscribed to en masse by millions of subscribers, located in every country where there is Internet access. As a result, any comment posted to a Usenet newsgroup is virtually guaranteed to be published, and read, within days if not hours, in many hundreds of national jurisdictions. As can be imagined, the volume of material published in these forums is enormous one estimate is that around 4 million articles are available at any particular time  [17]  . Therefore, the probability of defamation cases in the newsgroup is higher. The World Wide Web Like newsgroups, Web sites can be accessed and read in multiple jurisdictions, and they therefore share many of the problems of transnational publication discussed above. But perhaps the major unique problem with the Web is how far it allows any individual to mimic traditional publishing at very low cost. Home pages can be set up which do a good job of looking like electronic journals or glossy magazines and which can be extremely attractive, with good design and graphic content  [18]  . However many of the parties setting up Web sites often fans of popular music or TV programmes, students, pressure groups, or amateur associations are not already hard copy or traditional publishers, have no knowledge of the law of defamation or libel, and may well find themselves publishing defamatory statements without fully appreciating their potential liability  [19]  . LIABILITY OF INTERNET SERVICE PROVIDERS The key role of ISPs is to provide access to the Internet for their subscribers. This access includes allowing subscribers both to read and write to Usenet newsgroups and to surf the Web. ISPs also sometimes host local discussion forum and almost invariably agree to act as physical hosts to Web pages set up by their subscribers (generally to a maximum storage of a few megabytes)  [20]  . In all these cases, the ISP runs the risk of being regarded as the publisher of libelous remarks, originated by another person, but published by them in one of these forums. As per mention before, any repetition or re-publication of a defamatory statement is in itself actionable. Action is possible against all intervening persons who are responsible for repeating, publishing or otherwise circulating the defamation  [21]  . Therefore, any republish or repeating, the victim can choose whether to sue original defamer or the re-publisher or both and in many cases, ISP were usually being sued due to the money issue rather than suing the original author. HOW IS DEFAMATION PUNISHED Defamation is usually a civil offence, although it can be a criminal matter under special circumstances.  [22]   CIVIL DEFAMATION Most complaints of defamation are dealt with under civil law. That means that cases go to a civil court and are punished by awarding money (called damages) against the person found to have committed the offence, usually called the defendant. If someone takes you to court for defamation, they will be the plaintiff, you will be the defendant.  [23]   In civil defamation, the principle is the same as for someone who has been physically injured as a result of someone elses actions, either through carelessness or a planned attack. The injured person may take the other person (or people) to court. If successful, the injured person will be awarded a sum of money as compensation. This money will be paid by the person who did the damage.  [24]   DAMAGES There are several kinds of damages a court can award, either separately or together.  [25]   General or Compensatory damages which a court may award for a persons loss of reputation, shame or hurt feelings. The payment to the plaintiff may be at small amount of money. Special damages compensate for any loss of business or earnings the plaintiff may have suffered as a result of the defamation. These could also include any money the plaintiff has spent as a result of the defamation, for example in sending letters to clients denying the allegations. Aggravated damages this can be awarded if the court thinks that the defamation was deliberate, possibly out of ill-will or any other improper motive (usually referred to as malice, which we discussed earlier). Punitive or Exemplary damages which may sometimes be awarded if the defamation is so extreme that the court feels the need to punish you or warn other journalists against similar conduct. Damages are usually large in the case of media organisations because the courts think that they can pay more for their mistakes than individuals can. CRIMINAL DEFAMATION Defamation can also be a criminal offence, which means that those found guilty could be fined or sent to prison or both. This is much less common than civil defamation.  [26]   A charge of criminal defamation can be brought if the words, pictures or gestures use provoke resulting riots, mob violence or other breaches of the public peace. For this reason, the prosecution does not have to prove publication to a third party. It is enough that the person the defendent are referring to hears the words (or sees the gestures) and reacts violently. However, unlike civil defamation, the prosecution will have to prove that the words complained of were malicious. In civil defamation the words may be malicious, but in criminal defamation they must be.  [27]   SOCIAL MEDIA TECHNOLOGIES Social media technologies are part of the cyberspace. It include blogs, picture sharing, email, instant messaging, vlogs and other medium that allow to be democratically interactive in ways unlike radio, television, or highly edited letters pages of newspapers and magazine. Below is some case law and summaries that happen in Brunei and Malaysia which relate with defamation in cyberspace. Facebook is a popular free social networking website that allows registered users to create profiles, upload photos and video, send messages and keep in touch with friends, family and colleague  [28]  . One recent and well-known case in Brunei with regards to Facebook Upload is Adi Adip  [29]  case where the defendant had uploaded his ex-girlfriends (Miss X) obscene picture and video clip on the Facebook. The reason for his action is to insult Miss Xs modesty as well as to get her attention after she had broken off her relationship with the defendant. The plaintiff report this issue to the police once she discovered the Facebook account is under her name, managed by the defendant and containing the obscene pictures and video clips involving herself. The court ordered for the iPhone used by the defendant to be forfeited and all photos and videos related to the case was seized and disposed of, including copies, immediately. This is one case example from Brunei of the defamation in cyberspace. Other than that, the defendant was send to jail for 10 months. In Malaysia, over the past years, Malaysians have been increasingly engaged in virtual communities and online interactions. Some have led to positive outcomes, but some of these virtual arenas have been exploited, tarnishing the true potential of the Internet  [30]  . In case of Jeff Ooi and Rocky Bru  [31]  case, this is the first time in Malaysia that a prominent media organization filed a suit against bloggers. Jeff Oois Screenshot become a topic of debate when he retracted all his libelous allegations in weblog against the New Straits Times. Raja Petra Kamaruddin is a Malaysian editor known for running Malaysia Today website. He published a series of commentary article on Malaysia politics in the website. There are a lot of cases relate to him which include both Civil and Criminal offences. Some of his cases are: Nordin Kardi UUM v RPK (2008) Lt-Col Aziz Buyong Lt-Col Norhayati Hassan v RPK (2008) Datuk Muhammad Shafee Abdullah v RPK (2008) Public Prosecutor v RPK (2008) Due to large number of cases he was being suit, he was arrested by the authorities. He was detained under the Internal Security Act on 12th September 2008 under section 73, 60 days detention by Police Officer and again on 24th September 2008, under section 8(1) which he was detained for 2 years by the Minister. CONCLUSION As mention earlier in this paper, the objective of this paper is to determine jurisdiction on the regional cases of defamation in Brunei and Malaysia. This paper also explains medium of defamation in the cyberspace, the effects of the defamation to the victim, the punishment to the defamer and the court action with the case. Weve found that there are 4 distinct medium of defamation in the cyberspace one to one email messages, mailing list, newsgroup and the World Wide Web  [32]  . As we know, defamation can result to injure the reputation of the victim and in particular to cause him (or her) to be regarded with feelings of hatred, contempt, ridicule, fear, dislike or disesteem.

arranged marriage: for america? Essay -- essays research papers

Arranged Marriage: For America? Both arranged marriages and romantic marriages have good and bad points. Cultures such as India, Japan, and Ethiopia have had arranged marriages since the dawn of time. In America we allow our young adults to make their own decisions on whom to marry. Would Americans accept the practice of parents deciding whom they are going to marry without considering their wants or feelings? The answer is an emphatic NO! Americans are hopelessly romantic and fiercely believe in freedom of choice. Arranged marriages would never be accepted in American culture. Most of the time, if not all, the decisions we make concerning marriage are based on the concept of â€Å"romantic love†. Most young people tend to believe the only way to choose a mate is to date until you fall madly in love, plan a wedding, and get married. We follow our hearts even if it is impractical and doesn’t really make any sense. We do not feel that we need the wisdom and experience of anyone, let alone our parents, to make such an important decision. Love is more important and powerful than practical issues. However, by relying on our hearts, and not the wisdom and experience of others, we risk what could be the disastrous consequences of making an emotional decision instead of a rational one. Go back a few years (for some of us, many years) and think about how much stress we felt trying to make ourselves attractive to the opposite sex. We spent most of our days worrying about our looks and w...

The Theory Of The Doctrine Of Affections English Literature Essay

We will doubt, foremost, whether all of the things that have fallen under our senses, or which we have of all time imagined, any one ( of them ) truly exist ; in the first topographic point, because, we know by experience that the senses sometimes err and it would be imprudent to swear excessively much to what has one time deceived us ; secondly, in dreamsaˆÂ ¦we imagine countable objects which have no being.[ 1 ] In this quotation mark Descartes explains that senses are undependable and that we can non swear them for they have been proven to lie. It is interesting, so, that music is such a popular art signifier, for it depends to a great extent, and about entirely upon listening. While a full cognition and apprehension of music can non be discovered from a strictly audile attack, merely listening to music has the ability to subconsciously entice emotions within an audience. This nexus between temper and plangency grew from ancient Grecian doctrine and extended good beyond the eighteenth-century, but came to its tallness during the Baroque Period ( ca. 1570-1780 ) . The Baroque thought called the Doctrine of Affections held this thought to be true ; it was the belief which held that by doing usage of the appropriate and established musical methods of the clip, the composer could make a piece of music which was able to bring forth a peculiar and nonvoluntary emotional response within the audien ce. It was a digest of ideas and musical techniques from many composers and philosophers from age of the Enlightenment, most prevalently Rene Descartes.[ 2 ]As antecedently stated, some of the rules of this construct day of the month back centuries, to philosophers such as Aristotle, who showed that â€Å" speechmakers employed the rhetorical agencies to command and direct the emotions of their audiences.[ 3 ]â€Å" However, musically the thought came to its tallness during the age of the Enlightenment and can be seen throughout Baroque music in instrumental pieces of great composers such as Bach and Rameau, but is particularly profound in opera, due to the greater emotional stimulation caused by music and text at the same time portrayed. The Theory of the Doctrine of Affections originated with Descartes. Descartes believed that music was centered on rationalized truth ; he held that the thoughts of scientific discipline may non be favourable to the humanistic disciplines, but the apprehension of scientific discipline enhanced the art ‘s possibilities. This thought relates back to his positivist thought which was represented in the Doctrine of Affections ; that â€Å" cognition is found in constructs, rules, and Torahs, and non merely in experiences or unprocessed esthesiss.[ 4 ]â€Å" As such, by utilizing scientific enquiry to understanding the biological workings of the organic structure it was possible to achieve truth and specific truth upon these systems which could so be used within music to bestir human emotions, and therefore could increase the potency of the humanistic disciplines. But, at the same time: By utilizing empirical observationaˆÂ ¦they may come to accept some system which has logical consistence, but small relevancy to the universe in which we live.[ 5 ]â€Å" Using the thoughts of scientific observation in this manner could greatly suppress the really intent of musical look. The really basis of the Doctrine of Affections can be summed up by a positivist thought, which states that when human emotions and ideas were appropriately written within the poesy or libretto for a peculiar composing, the texts could so be enhanced with a proper musical line, in an â€Å" effort to convey rational abstractions into the kingdom of the passionate concrete.[ 6 ]â€Å" The Passions, harmonizing to Descarte: Include love, unhappiness, hatred, desire, admiration, joy, and sorrow. Passions are predicated by actions of the psyche and set into gesture by contents of the blood watercourse. The psyche is excited by the traveling passions which direct a adult male ‘s will. It is on the passions, good or evil, that life depends. Passions have an consequence on the mind, and uses the thought believed by philosophers and Biologists, that passions are found in the liquors contained in the blood watercourse.[ 7 ]â€Å" Each passion is associated with a specific physiological symptom. For illustration, the breath might speed up and the bosom round may accelerate. Descartes believed that it was possible to foretell the external emotions that would ensue from the assorted passions the music intended to elicit. His influence over composing was singular.[ 8 ]Writers that followed, such as Johann Mattheson, described the composer ‘s thought procedure towards composing as such: that the music does non show the emotion of the composer to be, for illustration, â€Å" sad and tormented † , but instead the composer ‘s effort to make a work of art which would sadden the hearers. Besides, he says that this emotional power which the music has over the hearer is non needfully externally shown, but â€Å" the emotional consequence is personal and comes from the hearer ‘s single experiences.[ 9 ]â€Å" Descartes ‘ Compendium Musicae and his Traite diethylstilbestrols passionse l'ame ( â€Å" catalogues or digests of the basic human passions †[ 10 ]) , which became popular during the Baroque period became widely studied. These publications were two of many of the age, but were the first to give instrumentalists touchable and practical waies for appropriate and affectional usage of intervals, for illustration, happy emotions tended to be represented with broad intervals, while unhappiness was represented with narrower intervals.[ 11 ]As aforementioned, the emotional reaction to the consequence which music has upon the organic structure, used in effort to direct the emotions of the audience, was peculiarly profound when used in vocal music, particularly opera, due to the text to music relationship which enhanced the expressive development. This was â€Å" a construct originally derived from Greek and Latin Doctrines on rhetoric and oratory[ 12 ]â€Å" and besides expres sed within the doctrine of the Doctrine of Affections. In each single piece, the composer would seek to elicit a peculiar type of emotion within the audience, for illustration, hatred, choler, green-eyed monster, or fury, but would merely utilize one emotion at a clip. He would utilize peculiar musical devises to lure emotion within the hearer, which would parallel the ability of text to make the same.[ 13 ]One of the most celebrated of Baroque composers was Handel. He believed that: aˆÂ ¦plainness and simpleness had the greatest consequence upon human emotion as he endeavored to compose for the voice, more in the natural tones of the human fondnesss and passions.[ 14 ]( A survey in Handelian Thought 55 ) As such, Handel composed greatly within the constructs of the Doctrine of Affections, in effort to arouse the passions and incite human emotions. Besides, music director Nicholas McGegan believes that Handel had great insight into underscoring human emotion and his characters are â€Å" perfectly human.[ 15 ]â€Å" As antecedently stated, Handel composed within the kingdom of the doctrine of the Doctrine of Affections. As such, his arias and cantatas are written in such a manner to unite the emotional context of the libretto with a musical line which would unconsciously convey about preset emotions within the audience. Three types of arias found during the Baroque period were those that depicted fury, felicity, and lost love. Harmonizing to Johann Mattheson fury is much better at utilizing all signifiers of â€Å" musical innovations † than more pleasant passions. However, it is non equal plenty to merely utilize loud kineticss and speedy beat, as this violent quality has its ain personality and requires forceful look without losing sight of the beauty of the musical line.[ 16 ]The chief devices used during a fury aria can be seen in an expanded theory of intervals explained by the Philosopher and Composer Rameau. Assuming that the basic human qualities of fury include choler, force, sor row, gravity, abrasiveness, and aggression, Rameau would reason that a fury aria would include: whole and half stairss, used to stand for choler or unhappiness due to the contraction of the organic structure ; minor tierces, falling fourths, augmented fourths, minor sixths, and major sevenths. Besides fury or choler would be seen in a fast pacing and most probably a minor key.[ 17 ]The fury arias of Handel straight follow this subject. Handel ‘s celebrated aria â€Å" Empio, diro , tu sei † from his opera Giulio Cesare is a authoritative illustration of a â€Å" Fury † aria. The first importance of this piece in footings of the Doctrine of Affections is the text: Empio, diro , tu sei: Togliti agli occhi miei Sie tutto crudelta Non e di rhenium quell cor, Che donasi Al asperity Che in sen non hour angle pieta ( I say you are a scoundrel, Remove yourself from my sight, You are cruelty itself. This is non the bosom of a male monarch That abandons itself to such abrasiveness, That contains no commiseration. ) This is Giulio Cesare ‘s ferocious Act 1 aria in which he chastises the Egyptian general, Achilla, who has merely returned to him the detached caput of the Pompeo, the baronial Roman general. This aria expresses Ceasar ‘s fury, and as such, Handel wrote it in hundred minor and in the pacing Allegro. The aria besides includes many hotfooting graduated tables, arpeggios, and uneven figures. From the really first gap line, the orchestral overture creates uneasiness and apprehension in the hearer by usage of running graduated tables, big springs, and awkward intervals ( m1- 9 ) ; this agitation is affirmed by a really strong vocal entryway by the castrato, Giulio Cesare, which begins with a falling scaler line and is followed by larger springs ( m.11 ) . . Throughout, the vocal line can be described as highly intense- incorporating extended coloratura with hotfooting graduated tables ( m14-16 ; m24-25 ; 32-34 ) , arpeggios, and drastic interval alterations would make an appre hension of fury even in a hearer who did non understand the words, for illustration, when Cesare says â€Å" Sie tutto crudelta † ( You are cruelty itself ) , the vocal line implements leaping intervals every bit good as a brief chromatic transition ( m35-37 ) Besides, throughout the piece the orchestra is peculiarly ungratified, and includes running transitions, big springs, arpeggiated figures, which besides create an edginess. All of these factors contribute to accelerating the pulse of the hearer, supplying them with an emotional relation and apprehension of Giulio Cesare, merely as if they, themselves were the ramping party. The apprehension of the text along with the utmost musical line and concomitant creates an even more graphic image of Cesare ‘s intense choler and fury and pulls the hearer even further into the emotion, raising the blood force per unit area further and therefore, physiologically doing the raging and uneasy emotion within the hearer. Among the passions was besides the emotion of joy. Mattheson held that: aˆÂ ¦joy was an enlargement of our psyche, and therefore it follows that moderately and of course that [ one ] could outdo express this affect by big and expanded intervals.[ 18 ] Harmonizing to Rameau joyous music was besides represented by great intervals, but to boot was shown with Major key and fast pacing.[ 19 ]The Air Oh! Had I Jubal ‘s lyre from the Oratorio Joshua by Handel implements these doctrines within the vocal line and orchestral concomitant. Oh, had I Jubal ‘s lyre, Or Miriam ‘s melodious voice! To sounds like his I would draw a bead on, In vocals like hers rejoice. My low strains but faintly show, How much to Heav'n and thee I owe. This is one of Handel ‘s later works, and it is based upon the scriptural narratives of Joshua. Basically, Moses and the Israelites, after being freed from Egypt are told by God that they must keep their religion to him for 40 old ages in the wilderness before being allowed into the promise land, they do non obey him and direct in undercover agents to look into out the land after two old ages. Long narrative short, Joshua and Caleb, of the younger coevals maintain their religion within God and are therefore allowed to come in the Promise land, while the nonbelievers perished in the desert. In the bible, Jubal is quoted as being â€Å" the ascendant of all who handle lyre and pipe[ 20 ]â€Å" and Miriam is the sister of Moses and Aaron who was believed to hold been a prophesier. This is a simple vocal of felicity and congratulations Sung by Achsah, the girl or Caleb. First, the piece is written in A major and in the pacing Allegro. From the gap of the piece, big and heavy inte rvals and chords are heard and a feeling of easiness and felicity is evident. When the soprano, Achsah enters, her line outlines an A major chord ( thousand 10-11 ) and continues to travel within a beautiful major cardinal country. Although in some parts of the piece there are running transitions ( m21-24 ; m41-44 ; m 46-47 ) there continues to be big intervals and major chords throughout the concomitant below. This stableness below the rapidly moving and aureate transitions allows the emotion of joy and felicity to be maintained throughout the piece. The piece begins and ends in a major key and throughout it implements big intervals and a harmonic tone. These foundations musically create a joyous emotion within the audience because they entice openness within the organic structure physiologically ; the hearer ‘s emotional reaction, hence straight parallels the plangency of the musical line and concomitant. Another of the passions outlined by Descartes included love. Within opera, a common subject of unanswered or lost love is prevailing. This absence of love, which is sought by a character, brings about an emotion which is a combination of unhappiness and hope, and abstractly creates love. On sadness Mattheson provinces: Sadness is a contraction of the elusive parts of out bodyaˆÂ ¦it is easy to see that the little and smallest intervals are most suited for this passion.[ 21 ] To make the feeling of lost love, this emotion is combined with the passion for hope. In respects to this emotion Mattheson explains: Hope is a pleasant and soothing thing: it consists of a joyful yearning which fills the spirit with certain bravery. Hence, this consequence demands the loveliest usage of voice and the sweetest combination of sounds in the universe, for which brave hankering serves as a goad as it were ; yet so that even joy is merely moderate, courage however enlivens and animates everything, which yields the best combination and amalgamation of sounds in composing.[ 22 ] This combination of the passions of unhappiness and hope can be used to understand the emotion of love. Mattheson shows this: Love is in fact basically a diffusion of the liquors.[ 23 ] Love is hence a â€Å" diffusion † or combination of joy or hope ( enlargement ) and unhappiness ( contraction ) , depending upon the type of love which is happening. For illustration new and immature love would be represented in a more joyous manner, with larger and more expansive intervals musically. However, lost or unanswered love would be represented to pull unhappiness or little intervals, but besides to lure hope, by utilizing larger and more expansive intervals which are pleasant and soothing, because the character continues maintains some hope that love will finally ensue from the unhappiness and loss, therefore musically pulling the hearers into their melancholy but optimistic emotion. The doctrines of the Doctrine of Affections can once more be seen in the aria O Sleep, why dost 1000 go forth me? from the opera Semele by Handel. O slumber, O slumber, why dost 1000 go forth me? Why doust 1000 go forth me? Why thy airy joys take? O slumber, O slumber, O slumber once more deceive me, O slumber once more devieve me, To my weaponries reconstruct my wand'ring love, My wand'ring love, Restore my wand'ring love, Again deceive me, O slumber, To my weaponries, reconstruct my wand'ring love. The secret plan line of the opera is basically therefore: Semele is in love with Jupiter, but is about to Marry a adult male called Cadmus at the temple of Juno. Before the ceremonial, nevertheless, Semele is snatched from the temple and taken to the celestial spheres where Jupiter builds her a expansive castle. Juno is angered by this and asks the God of slumber, Somnus, to assist her in her retaliation. In this aria Semele has been deprived of slumber, and therefore, deprived of her dreams of her lover who can non be with her. The piece is written in a major key, but in the pacing largo. This, from the first chord of the piano, shows the analogue between felicity and unhappiness that are present during lost love, the emotion of hope can be seen in the big interval leaps in the left manus of the piano concomitant ( m1-4 ) Semele ‘s first phrase is really quiet, slow and insistent ; it uses a beautiful scalar line of 2nd intervals to demo her torment for the loss of her lover w ithin dreams. Underneath her beautiful line is a likewise running form within the piano, which is characterized with some springs to convey about a little feeling of hope and felicity ( thousand 8 in both custodies ; m 9 in both custodies ; m11-end in the arpegiated left manus ) The unhappiness comes to a tallness on the 2nd page when there is a long running transition upon the word â€Å" wand'ring, † ( m 17-18 ) , but hope is seen in the stoping of the piece with the interval leaps upon the word â€Å" restore, † coming to the climatic and attractively quiet G crisp, before desending once more into unhappiness ( m24-25 ) .

Ferrin s Process Of Inductive Bible Study - 964 Words

Ferrin’s process of inductive Bible study takes on a relational approach that consists of three essential parts or phases titled Foundation, Framing, and Finish Work. The structured methods encompass studying a book of the Bible and internalizing it rather than just memorizing the words (p. 3). The author diligently explains how that through the devoted application of all phases individuals and group Bible study participants are sure to â€Å"fall in love with God’s Word† (p. 3). Ferrin presents and or describes Scripture internalization as taking in the truth and then applying it to everyday life or living. Ferrin pointed out that the benefits of understanding biblical messages book by book include the Living Word of God becoming a reality within persons that grow more enjoyable and rewarding as time comes and goes. On a personal note, I practice reading the Bible through the process of observation. For instance, I practice learning what to look for in the text; interpreting the meaning; I prayerfully seek God and through the power of the Holy Spirit I can apply what I read. Nevertheless, I feel Ferrin’s process of inductive Bible study might prove more productive and edifying both personally and in a group. Moving forward and upon careful consideration, I find that Ferrin’s four- step â€Å"building a house† analogy approach might help me to get to know a book of the Bible and all of its elements. For example, during the foundation phase the background study of the author,Show MoreRelatedStephen P. Robbins Timothy A. Judge (2011) Organizational Behaviour 15th Edition New Jersey: Prentice Hall393164 Words   |  1573 Pagesand permission should be obtained from the publisher prior to any prohibited reproduction, storage in a retrieval system, or transmission in any form or by any means, electronic, mechanical, photocopying, recording, or likewise. To obtain permission(s) to use material from this work, please submit a written request to Pearson Education, Inc., Permissions Department, One Lake Street, Upper Saddle River, New Jersey 07458, or you may fax your request to 201-236-3290. Many of the designations by manufacturers